Vocal Fold Onset and Its Effect on the Spectral Envelope.

OBJECTIVE

The purpose of this study is to examine the acoustic implications of using aspirated, well-coordinated, coup de la glotte, and hard glottal onset methods, in order to compare and contrast the radiated acoustic spectra. A numeric classification system is introduced to reduce terminological confusion.

METHOD: Singers trained in bel canto singing style were asked to sing 5-second samples on 3 predetermined pitches comprising the low, middle, and high range in male and female voices. Each participant was instructed and trained to sing the three pitches with four difference onset types. EGG and audio perception were used to verify onset type, and VoceVista Video Pro was used to analyze power spectra.

RESULTS

A repeated measures multivariate analysis of variance was performed with the SPSS General Linear Model function, with onset type as the within-subjects variable to determine main effects and interaction effects on harmonic amplitude (up to 5000 Hz) from the independent variables. A significant main effect was found for onset type and more specifically, a significant acoustic difference was found between the well-coordinated and coup de la glotte onsets. Substantial inconsistencies were found in the execution of the well-coordinated onset, as well as in participants' reported preferred onset compared with their baseline measurement of executed onset type.

CONCLUSIONS

Intentional study of the phonatory onset beginning with adducted folds and low subglottal pressure may have important acoustic and efficiency consequences for bel canto singers. There is a need for specificity regarding the prephonatory glottal configuration in vocal pedagogy and voice science research, and a numerical classification system may provide a clearer picture in future onset investigations.