Frontiers in human neuroscience · 2025
Attentional responses to the color exposure sequence of landscape paintings: evidence from fNIRS and eye-tracking.
СтатьяНазвание и аннотация: Перевод в очереди
Обработка статьи · этапы, ошибки и управление
Загрузка состояния…
Ошибки и ограничения
История · было → стало
Состояние обновляется каждые 5 секунд, пока блок открыт. Процент показывается только там, где известен объём работы. Пауза останавливает продолжение этапа; текущий запрос к источнику может завершиться.
Jeong Hyoyeong, Kim Seongdae
Аннотация
INTRODUCTION: Color is a critical determinant of esthetic experience, shaping both immersion and cognitive responses. However, the extent to which the sequence of color exposure modulates the interplay between neural activation and ocular behavior remains insufficiently understood.
METHODS: Ten chromatic landscape paintings were collected and converted into achromatic versions, yielding a total of 20 visual stimuli. Participants were assigned to two conditions: Condition A (achromatic to chromatic) and Condition B (chromatic to achromatic). Visual attention and prefrontal activation were assessed using eye-tracking techniques and functional near-infrared spectroscopy.
RESULTS: Analyses revealed significantly greater neural activation in Condition A within the left dorsolateral prefrontal cortex (p-raw = 0.006), left orbitofrontal cortex (p-raw = 0.043), and right orbitofrontal cortex (p-raw = 0.043). Eye-tracking metrics indicated longer Total duration of fixation (p-raw = 0.015), Maximum duration of fixation (p-raw = 0.036), and Total duration of whole fixation (p-raw = 0.025) under Condition A. Subjective evaluations also showed significant differences, with higher ratings for Match (p-raw = 0.005) and Feel (p-raw = 0.029).
DISCUSSION: These findings demonstrate that color stimuli exert a decisive influence not only on subjective immersion but also on objective neurocognitive processes. The study extends the scientific foundation of empirical esthetics and offers novel implications for the design of museum and exhibition environments.
METHODS: Ten chromatic landscape paintings were collected and converted into achromatic versions, yielding a total of 20 visual stimuli. Participants were assigned to two conditions: Condition A (achromatic to chromatic) and Condition B (chromatic to achromatic). Visual attention and prefrontal activation were assessed using eye-tracking techniques and functional near-infrared spectroscopy.
RESULTS: Analyses revealed significantly greater neural activation in Condition A within the left dorsolateral prefrontal cortex (p-raw = 0.006), left orbitofrontal cortex (p-raw = 0.043), and right orbitofrontal cortex (p-raw = 0.043). Eye-tracking metrics indicated longer Total duration of fixation (p-raw = 0.015), Maximum duration of fixation (p-raw = 0.036), and Total duration of whole fixation (p-raw = 0.025) under Condition A. Subjective evaluations also showed significant differences, with higher ratings for Match (p-raw = 0.005) and Feel (p-raw = 0.029).
DISCUSSION: These findings demonstrate that color stimuli exert a decisive influence not only on subjective immersion but also on objective neurocognitive processes. The study extends the scientific foundation of empirical esthetics and offers novel implications for the design of museum and exhibition environments.